CUET Art Education Sculpture Syllabus 2022
CUET Art Education Sculpture Syllabus consists of a total of 3 units. Amongst these 3 units, each of the sections consists of several sub-sections which are of almost equal importance in the paper. Unit 1 consists of two different parts labeled A and B. Unit 2 also consists of two different parts labeled 1 and 2. A candidate should ideally prepare for each of these sections with equal diligence and attention. Check the detailed Art Education Sculpture topics for CUET below.
CUET Art Education Sculpture Syllabus PDF
To download the CUET Art Education Sculpture Syllabus PDF, you can visit the official website cuet samarth ac in. But this can seem a complex task to do. Rather, you can easily and more conveniently download the syllabus by clicking on the direct link provided below.
Topics in CUET Art Education Sculpture Syllabus 2022
If the section-wise list of topics is not analyzed, the CUET Art Education Sculpture Syllabus can be difficult to understand. In the well-curated table below, we will go over the CUET Syllabus for Art Education Sculpture and the topics covered.
(A) The Rajasthani Schools
Unit 1: The Rajasthani and Pahari Schools of Miniature Painting (16th Century A.D to 19th Century A.D.)
Study of the following Rajasthani paintings:
A Folio from Ramayana paintings of Sahibdin Mewar
One Court scene or Hunting scene or Festival scene Mewar Jagat Singh II
One Folio from Ragamala or Rasikapriya Bundi
One painting of a Hunting Scene in a Forest Kotah with Kotah Maharaja
Radha (Bani-Thani) by Nihal Chand Kishangarh
Pabuji Ki Phad, Folk Scroll painting Bhilwara
Raja Aniruddha Singh Hara Bundi
Chaugan Players Jodhpur
Krishna on swing Bikaner
Radha (Bani- Thani) Kishangarh
Bharat Meets Rama at Chitrakuta Jaipur
(B) The Pahari Schools
Origin and development of Basohli, Guler, and Kangra schools in brief and main features of the Pahari schools
Study of the following Pahari Paintings:
One Folio of Ramayana Basohli (Sangri – Early Phase)
One Folio of Gita Govinda of Jaideva by Manaku Guler
One Krishna Lila or Bhagavata Purana Kangra Folio by Nain Sukh
One painting from Nayaka Nayika Guler or Kangra or Baramasa or Ragamala
Krishna with Gopis Basohli
Nand, Yashoda, and Krishna with Kinsmen Kangra
Going to Vrindavana
1. The Mughal School
Unit 2: The Mughal and Deccani Schools of miniature painting (16th Century A.D. to 19th Century A.D.)
Origin and development of the Mughal school in brief and main features of the Mughal School
Study of the following Mughal Paintings:
Title Painter School
A Folio from Akbar Namah Basawan Akbar
Baber Crossing the river Sone Jagannath Akbar
Krishna Lifting Mount Govardhana Miskin Akbar
Birth of Salim Ramdas Akbar
Jahangir holding the picture of Abul Hassan Jahangir
Falcon on Bird-Rest Ustad Mansoor Jahangir
Kabir and Raidas Ustad Faquirullah Khan Shajahan
Marriage procession of Haji Madni Provincial
Dara Shikoh Mughal (Oudh)
2. The Deccani School
Origin and development of the Deccani school and Main features of the Deccan School.
Study of the following Deccani Paintings:
Ibrahim AdilShah II of Bijapur Bijapur
Raga Hindola Ahmednagar
Ragini Pat-hamsika Ahmednagar
Hazrat Nizamuddin Auliya and Hyderabad Amir Khusro
Chand Bibi Playing Polo (Chaugan) Golconda
New Era in Indian art-an introduction
Unit 3: The Bengal School and Cultural Nationalism
Study of the following paintings:
Rama Vanquishing the pride of the ocean Raja Ravi Verma
Journey’s End Rabindranath Tagore
Parthasarthi Nandlal Bose
Ghalib’s Poetry Painting based on M.A.R. Chughtai
Select a cubistic painting by Gaganendranath Tagore
Mother and child Jamini Roy
emale Face Rabindranath Tagore
Hill Women Amrita Sher Gill
Shiv and Sati Nandlal Bose
Rasa-Lila Kshitindranath Majumdar
Radhika M.A.R. Chughtai
Meghdoot Ram Gopal Vijaivargiya
National flag and the Symbolic significance of its forms and the colors.
Contribution of Indian artists in the struggle for the National Freedom Movement
Tiller of the Soil-Nandlal Bose.
(i) Triumph of Labour D. P. Roychowdhury
(ii) Santhal Family Ramkinker Vaij
(iii) Standing Woman Dhanraj Bhagat
(iv) Cries Unheard Amar Nath Sehgal
(v) Ganesha Figure P.V.Jankiram
(vi) Dhanpal Sankho Chaudhuri
(vii) Chatturmukhi Aekka Yada Giri Rao
(i) Whirlpool Krishna Reddy
(ii) Children Somnath Hore
(iii) Devi Jyoti Bhatt
(iv) Of walls Anupam Sud
(v) Man, Woman and Tree K. Laxma Goud
How to prepare Art Education Sculpture Syllabus
For Art Education Sculpture the CUET preparation tips are general guidelines and methods that students must use in order to pass this exam successfully. We will go over four key preparation tips that any student, regardless of the targeted domain subject, should follow to ensure a successful exam performance in the following text.
- Analyze the exam syllabus thoroughly and correctly. Candidates who wish to take the entrance exam must be familiar with the entire CUET Art Education Sculpture syllabus.
- Create and follow a Preparation Strategy. It is critical to create a study plan before beginning exam preparation. Candidates must plan ahead of time and dedicate adequate time to each topic. They must set attainable goals to make the preparation manageable.
- Practice, Practice, Practice, but this time in the correct direction. For a high score on the CUET 2022 Art Education Sculpture exam, practice is essential. Candidates must complete as many previous year's sample papers, mock tests, and question papers as possible.
- The key to long-term success is revision. Exam preparation requires extensive revision. Candidates should set aside at least 2-3 weeks for revision.
Books for CUET Art Education Sculpture
When it comes to passing the CUET exam, CUET books are extremely important. In addition to these reputable and extremely useful books, students are advised to prepare curated notebooks in which they can write, learn, and revise their book learnings.
- NCERT Art Education Sculpture Textbook